Lets discuss, phrasing.
I think I started out playing phrases and then as I got better running scales between phrases then ended up pushing out phrases and just running scales.
Scales are cool to connect phrases. Check out this vid from a guitar players, guitar player:
http://video.google.com/videoplay?docid=-7940608910225951743&q=vai
:idea: I'm on vacation for a couple of weeks, how about we post some samples of well thought out \"Phrases\" that doesn't already include something from your vocabulary. (unless it's really cool
)
Scales are cool to connect phrases. Check out this vid from a guitar players, guitar player:
http://video.google.com/videoplay?docid=-7940608910225951743&q=vai
:idea: I'm on vacation for a couple of weeks, how about we post some samples of well thought out \"Phrases\" that doesn't already include something from your vocabulary. (unless it's really cool

Comments
Just to shred a scale gets old and is tireing to my ears very fast but slow down a it between your shredding to actually comunicate a melody...now thats music...He uses Pro Tools too...I can dig that!
great post he is such a guitar godlike frreeek!
Gene Simmons (who I'm not really a fan of) told Bruce Kulick \"you're a great guitarist, but you have to learn how to play with balls.\"
There are many technically incredible guitarists that cannot write good songs.
There are also many that can (Gilbert, MacAlpine, etc.) It seems that the ones who can, play with \"balls\" a bit more than the mechanical guitarist.
Yea but put him with Roth and you get \"Ladys Night in Buffalo\" one of my alltime favorite tunes...oh yea \"good times\" was pretty cool too! :P
he just needs a songwriting clown with some style to show to off all those crazy licks of his.
My favorite is this nice one of Satch discussing this threads topic.
Joe's Soloing Lesson
I have to admit, I've always placed Vai in the Steve Stevens category: hi flash, little substance.
[Gimme Clapton, Trower, Garcia, Carlos anyday]
BUT . . . I really appreciated how much thought he's placing into his music. His statement that speed isn't that big a deal, that it's getting it to be a phrase that works takes a lot of time is dead on. I'm not only inspired to think about my own phrasing, but to check out some of Vai's stuff on iTunes and listen for the mind behind the mayhem.
Excellent video. I loved his discussion on musically correct vs. feeling.
And regarding Vai's phrasing, I've picked up some of that and been incorporating it into my playing. If you're interested in how he does stuff, pick up his Live at Astoria DVD and watch it over and over. His G3 in Denver DVD is good too, but there's far too little Vai and far too much Satch for my tastes. I'm going to pick up the G3 DVD with Petrucci on it, another of my favorite players. I've also seen him live. I stood about 10 feet away from him most of the night. That whole, tongue on string sqealing thing is part gimmick. If you watch closely, he flips a switch on his guitar just before he does it and flips it again when he's finished.