Bypass vs. Direct
Hi, I'm trying to create a preset that's the equivalent of the bypass function. I just created one where I selected Direct for cabs and amps, turned off all the EQs, turned everything off that I could fine. Shouldn't that sound the same as bypass. It's close but, not as warm for sure. A bit tinnier, like an acoustic setting. Am I doing this right, and this is just as close as it gets or what???
Comments
Modelers do this in almost all cases. A true bypass or modeling on off switch would have been perfect. But there is much involved to accommodate such a simple task. You can use an AB switch on the guitar input if you want. Then you can send a direct line to the guitar amp, and punch in GNX tone when you need it.
I always forget whats the correct setting ---
Is is \"Speaker Compensation ON = Compensate something in the Speaker, alter some freq response, do something, do anything\"
or
\"Speaker Compensation ON = Do nothing, just output a flat response\"
ON = do nothing
OFF = do something
Sounds very counter-intutive !!
Ex: hook a guitar amp up to a PA speaker, you get that fizzzy sound like a bad tweeter. Guitar amp cabinets roll off the amp Eq by design. Amplifier heads and combos are voiced around a specified speaker. If you change the speaker in the amp, you change the sound character.
Speaker compensation is designed to simulate the guitar speaker selected. Whether it be a 4x12 or other. Any change of the cabinet tuning, the compensation will follow audibly.
GNX can get additional HF by changing the cab tuning up 1-2 semitones even with speaker compensation activated.
Matt
Comp ON means DO compensate for the flat response (full range) of PA speaker by making it sound more like I am miking a guitar speaker into the PA.
Comp OFF means Don't compensate for the PA speaker by making it sound like I have plugged directly to the PA (and willl get a more \"tinny\", les warm (not good like a guitar speaker) sound.
So comp ON means I am compensating for the fact the the PA doesn't (all by itself) sound like a guitar speaker.
Please confirm deny (????)
rgds,
Chuck
Is it....
Comp ON =
\"do something\" - cut high frequencies so your signal coming out of the GNX4 sounds more like a guitar speaker than a PA speaker. I would consider doing this if I am connecting my GNX4 directly to a PA.
Comp OFF =
\"do nothing\" - flat, unfiltered, so your signal coming out of the GNX4 sounds more like a PA speaker than a guitar speaker. I would consider doing this if I am connecting my GNX4 to a guitar amp. A flat, unfiltered signal comes out of my GNX4 and goes into, and is then \"colored\" by my guitar amp/speaker.
or is it the other way around? ... or something else ALTOGEHTER?
All I know for sure is that when I connect my GNX4 directly to a PA (I have retired my Peavy Heritage w/BW speakers), I make sure the Spkr Comp button is \"IN\" (on?), (and to my ears anyway), the GNX4 sounds the best this way - better than if I plugged my GNX4 (speaker comp IN or OUT) directly into the Peavy Heritage guitar amp.
More versatile and variable guitar sounds (IMHO),
and one less heavy piece of Equipment to carry.
rgds,
Chuck
This might be helpful:
http://www.gnx4.org/archive/keep-that-speaker-compensation-switch-on/
Compensation freq will vary with each cab model.
A 1x12 will naturally be brighter than a 4x12. The GNX will adjust.
PA= speaker comp on
guitar Amp= can be on or off depending on the guitar amp/type . Higher impedance guitar inputs can give fizzier results in most cases. If so, turn SC on. In my experiences it varies from amp to amp.
Matt
There seem to be some graphs on the net re effect of Compensation. They seem to indicate that Compensation is a high end boost. It appears it is the same high end boost added to the underlying Cab model ie not specifically different compensations per Cab model.
Can you give further inputs on this.
Looking forward to more info on how the GNX adjusts the Compensation specifically for each chosen cab model. Right now it appears that the same high boost is added to each cab
Please relook the above.
In the scenario where a Guitar drives an Amp, the Amp's input impedance matters as the source is inductive. Different input impedances lead to different tone due to different loading of the Pickups.
In the scenario where a GNX drives an Amp, the Output impedance of most modern Audio devices and MFX are resistive and also very low. Hence changes in the input impedance of the Amp being driven by a MFX will not lead to tone changes.
The GNX or any other MFX is not trying to emulate the inductance of a Pickup at its outputs !!
rgds,
Chuck
God Bless!!!
Partch
I confess that before the GNX4 came out, I took the amp guts out of the Peavy Heritage and used it as a cabinet (for the BW speakers) with a PA head and my GNX3. For live situations, this sounded better than using a PA speaker.
Peace and God Bless too,
Chuck
\"Heresy!\" i hear you say...\"leave it on!\"... but for something as bass heavy as a guitar quad the additional prescence that the comp button OFF gives you is necessary. I just have to remember to turn it on again after i'm done
Looking forward to your further comments on the points you made in your earlier post :
A) The GNX has different Speaker Compensations for each different Speaker Model.