What are your practice sessions like?
I am currently working on Santana's Europa.
I have ongoing stuff I'm working on...technique wise, and my interest in alternate tunings. My biggest problem has been dicipline. I'm not following through learning songs complete. I have so many bits and parts of songs, and when it comes to the difficult stuff...I put it off. I need to stop that.
The GNX might have also burnt my brain. I'm only practicing about an hour a day right now, vs. 3-4 hours a day...a month ago. I'm just in a funk.
I suck at rhythm. I think I'll move from shred technique to rhythm for awhile. I will maybe find some passion and energy that way. I'd really love to play the rhythm section well. I should also switch over to acoustic for that matter.
What are your practice sessions like? What are you working on? Do you do anything in particular to keep motivated?
I have ongoing stuff I'm working on...technique wise, and my interest in alternate tunings. My biggest problem has been dicipline. I'm not following through learning songs complete. I have so many bits and parts of songs, and when it comes to the difficult stuff...I put it off. I need to stop that.
The GNX might have also burnt my brain. I'm only practicing about an hour a day right now, vs. 3-4 hours a day...a month ago. I'm just in a funk.
I suck at rhythm. I think I'll move from shred technique to rhythm for awhile. I will maybe find some passion and energy that way. I'd really love to play the rhythm section well. I should also switch over to acoustic for that matter.
What are your practice sessions like? What are you working on? Do you do anything in particular to keep motivated?
Comments
I am just like you (almost), disipline is my biggest fallback, which in turn, makes every other aspect of my playing fallback.
I've been playing for about 6 years now and I feel I'm stuck in a rut. It's like, not much I play or learn thrills me as it did during that 1st year of dicovering this amazing instrument.
But I am more a rythem player and less a soloist, so me and you are total opposites in that area. I can do solos and stuff, but i don't practice in vein of that (in vein of Yngwiee Malstein for example (sry about name spelling lol )) ... I do feel satisfied with my rythem playing and consider myslef more a \"rythem guitarist\" then a \"lead guitarist\". One thing I would like to explor more, rythem-wise, is odd time signatures. They are way cool! I was in a mudvayne cover band for a few months doing shows, and if you look past their heavyness, they have some amazing time signature changes! Just they way they put songs together is amazing (I'm speaking of their older stuff BTW, L.D 50 ). So I think a little of that has rubbed off on me since I was playing it and listening for a bit there, but I'd like to learn more of that weird time signature stuff and more scales and how to use them nicely. Probably the latter first, but for now I just read my guitar player magazines and do the short, 1 page lessons in those. They are excellant for getting yourslef to touch all bases of technique, styles etc.
At the moment I'm coping *awesome* acoustic doors cover out of \"Guitar World - Acoustic\". The arrangements have all the bands instuments included in it, so \"Light my fire\" for example, begins with the keyboard intro fingerpicked, hybrid style. Just cool stuff, sounds amazing!
Hear it for yourself!
http://www.guitarworld.com/archives/2006/04/let_it_roll_bab.html
(Click Fig. 1 and so on, there are four songs within those examples)
God Bless All!!!
Partch
Speaking of weird time sig, changes, i am playing in my school musical. One of the pieces changes from 4/4 to 5/8 to 7/8 to 9/8 to 12/8 and back again in the space of 5 bars :shock: its not fun when you have a whole orchestra to keep in time with.
I think if you make it too disciplined then it becomes less fun.
Playing lead key changes in about a 3 to 4 fret area.
Forces the mind to see one area of the fret board as a spring board to multiple keys..
Also working very hard on 3 ocatave arppegios of 7,9,11, and 13 chords.
As well as arpeggiated diminished and augmented runs.
Am also back to listening to my man Chet Atkins again..
Feel some major inspiration coming.. 8)
Whenever I feel like I'm stuck in a rut, I listen to the great ones.
Wes Montgomery, Joe Pass, Chet Atkins, Skunk Baxter, Tal Farlow, etc...
I always find something neat those cats are playing and start thinking...
\"How in the Hell did he do that?\"..
That gets the mind to working as well as the fingers and the next thing you know I'm out of a rut.
Also,
Try this for a rut breaker..
Just sit back and jam on a 12 bar blues..
Play major licks, minor licks, Pentatonic, change keys with your licks with the chord changes..
I always get a chuckle when I hear players talk about going as far as they can with \"Blues\"...
There's a lot of guys out there in jazz, rock, soul, funk, etc.. who jam on the blues everyday and are still learning.. 8)
See Ya,
Tal.. 8)
After you record the looping, three chord prog., hit stop and then play and solo over it or rythem with it without it recording that .... I'm pretty sure I am misunderstanding what you're saying ...
I'm enjoying this topic so far .... 8)
Thanks though!!!
God Bless!!!
Partch
Thanks Bro!!! I new this could be done and I thought I did hit the play footswitch when I wanted it to loop?? Well that works just like it should!!! thanks again!!! I think I may have been hitting footswitch 2 instead of 4?? Anyhow all works great now!!!
God Bless!!!
Partch
:? I bought this computer that is suppose to teach me how to turn a woman on.
It doesn't come with instructions.
I'm blowing fuses and getting shocks ....please any advice????
I know the GNX4 is a tough one to learn...but this thing....GOOD GOD....it's driving me NUTS.
...zap......owwww.
...zap.....OwwH...hehehe.
...ditzzzzAP....OUCH...hey now. :evil:
...ZAP...SNAP!!...Boooyah...oww..ooouuuie. :shock:
...ditzZAK...bizzzzzzzzzDAPPLE...CA CHOW howhow ouchooouie.
(....snot...tears..snivelling...shaking...stars)
...ZAPPCRACKLEPOP...ZOT..ZACK..SMOLDER..DITZPOP...DEEDODAH!!
.....(fuses blow)
OOOWWWHOWOOOWWWHAHE...
....AAAAAAHHHHHHHHH
(big hurt)
I can get that machine to work
I have to work in the desert this week(105 degrees outside)--means I'll be playin lots of guitar. I'm gonna try to tackle TRIUMPH'S mid summer daydream---if you've heard this song then you know it's a beautiful classical inspired piece. PROBLEM is that it's a totally different style then mine.BUT thats a good thing I know.
something that worked for me for years was to leave my guitar out --all plugged in and ready to go---I would say to myself (i'll just play for a few minutes)but the time would fly and hours later I'd find myself happy and getting better.
One thing that I find to be true-If you pick out 1 phrase or chord --the notes of that chord scream out for accompaning notes and chords and also harmonies call out. If you just listen for them. We are all filters of the music that we enjoy listening to and when we make our own music those influences come out .
Right now I like to spred it out
To learn a classical piece is hard for me so I'll expect to take a long time.
So i'll spend some time doing that
I have a few chord phrases that Iam working with
also I am fascinated with the sound of the harmonic scale so i'm playin with that alittle
Oh and having 4 sons keeps me busy --so I don't get to play as much as I want to, and have to put others needs first. OH well such is life.
ROCK ON 8)
ROTFLMAO...
Good one bud..
All the Ladies I asked were either too busy to help...
...or I tried the \"just be myself\" approach...
and got a lot of doors slammed in my face.
HEY BABY.....GRRRRRRrrrrrrrrr
regards Manitou
oh boy gary
I'd say that chick a sprintin !
Thats a TRUE MULTITASKER FOR YA
stay away from the busy type
I'm going through all my Satriani songs focusing on the rhythm sections. They sound easier than they really are....at least for me. Of course Satch uses lots of alternate tunings too...so it has me both involved and like you said....you get immersed. (paraphrased)
This is really good for me right now. I was in a rut. My practice got so stale, and that GNX kinda burned me out alittle. I don't like having to use my brain so much.
....no...the 60's weren't too rough!! :P
P.S....it's not the boys in Blue I worry about. I work with them everyday. Even use to be one myself years ago. It's those fella's in White with the padded Van.
But...they'll NEVER take MY donuts alive. They better bring a Straight Jacket, a Muzzle...and a Hand Truck.
I find myself slumping into a rut when I don't have music to work on. If I have something to work on - no matter what it is - I seem to do much better. Like Partch, I also play in a church P&W band. I'm the lead guitarist for now. We have an acoustic rhythm player usually, so I get to learn alternate phrasings and supplemental riffs... which all improves my knowledge of the fretboard. I enjoy rhythm playing - but I love lead stuff. So any time the band asks me to work out a lead for a couple of measures, I'm happy to oblige! Finally put those modes/patterns/licks into good use! 8)
The big deal for me is just having specific material to work on (that I know I'll need to play live in the near future). It gives me focus and direction. When I don't have specific material, then I do as someone mentioned earlier - I work on improvisation and finding my own voice in the instrument.
Then, when I really wanna be stupified - I put on Joe Satriani and dream!
The rythum --thats where it's at
evh said it---you should work the rythum for a few years THEN begin to work on lead phrases.
you will continue to be revived while you work on the rythum guitar---I think of rudolph shinker--a solid rythum player and only rythum.ya satch is cool I am still in awe when I hear songs from the first tape like rubina and hordes of locusts.---keep on!
kewlpack and partch
I too get to do p+w in church.I love it and it's a privlidge to serve in this way. I've been doing it for about 12 years. Learning new songs(as you said ) keeps things fresh---for the player and the listener. You know the cool thing is --and I think this god's gift---dreams can be realized---In other words the things you now dream about and are working on will come to pass---I'm not sayin you or I will be that player that we enjoy listening to but that we will be able to play just how we are feeling at that moment and thats when our style will come out.
well it's off to the desert for me ---105 degrees
you guy's have a good week