I drove a GSP-2101 for years and loved it. (not a modeler of course) but you could get great sounds out of it and the Dual DSPs were stellar for creating Eventide quality effects. I created a dual pitched and delayed patch that was exactly the same as the one Steve Vai uses with his Eventide on La Ballerina. Damn, I wish I could do that with my GNX. I would have kept the 2101 its just that it started to have problems with the patch selection wheel etc. Maybe one day I will snag a gold one off ebay. Too bad you can't layer multiple instances of effects on the GNX product line. i.e. two pitch shifts or two different delays.....
i came from an RP100 to an RPX400 and a BP50, wich i traded for the guitar and bass models on the GNX3k.
I dig Digitech enough to have stayed brand loyal all these years = but i had a similair battle with the RP series to get that metal tone i wanted = because the one that IS there isnt the one i want. DOES NOT MEAN THEY ARE BAD MFX!
Dont laugh!... my previous MFX was an Korg A4 and before that an Yamaha REX50 (with real digital distortion! as they advertised, brrrrr..)
And i must say the MFX realy made a progress between the A4 and the GNX3000, it brought back the fun in playing for me, smiled from ear to ear when i booted the 3000 :P
forgot to mention i also have a Line6 GuitarPort but cant say i realy like it as much as the GNX3k.
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I dig Digitech enough to have stayed brand loyal all these years = but i had a similair battle with the RP series to get that metal tone i wanted = because the one that IS there isnt the one i want. DOES NOT MEAN THEY ARE BAD MFX!
And i must say the MFX realy made a progress between the A4 and the GNX3000, it brought back the fun in playing for me, smiled from ear to ear when i booted the 3000 :P
forgot to mention i also have a Line6 GuitarPort but cant say i realy like it as much as the GNX3k.
The myriad of other MFXs will just have to sit this one out.